![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU-j0q4A8zUC37KhoUO-yyf_zx6jReAldm8dlw5eTfiX3LiSySnq173IXqYSlgyRkxt5YVBV9PPS47vkbN8T61hvCUB1VypoMkXLC4QH_J3juANZA_hKgolfW6d-qXL1sS4qU7Juw612Ad/s320/peternelson2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWEKMlO5MqqD-tBaTz4bBRFH7v3MOAlRb76UF0dtC9och0KC4jZPyFs_4Wlald903YMpRw2EIhdCIwRzkH5sjziSy5zzXqjP76Rk5IQXSI69jjeTC5LSrIXu7b5cjecqjFTsB_S_Jw1f3y/s320/peter+nelson.jpg)
Seeped in muted grays, blues and greens, this post apocalyptic world represents Peter’s ongoing concern with melding together the external landscape of the environment with the internal landscape of our imagination. That this melding together should produce such a disturbing, unstable space points to the fraught and unresolved relationship that exists between ourselves and the environment.
In this sense, Peter’s work engages with the politics of identity, responsibility and space, utilizing the landscape to explore and open up a dialogue between the viewer and his work. Without professing any answers, Peter’s images simply and poetically raise important questions we all face today.
Shannon Field
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